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ABOUT
The track list is Not in Order:
I am a contemporary interdisciplinary artist, sound explorer, and singer based in Germany. I work by weaving together emotive soundscapes and visual narratives, always searching for the spaces where body, mind, and soul intersect within the rhythm of city life.
My artistic practice lives between materials, photography, and music. It moves in the tension between concrete representation and documentary form. My daily life is digitalized, and from it I collect photograms, sound fragments, and small "artefacts" that happen by accident or through intention.
Over the years, through workshops, institutions, and the Workfield, I developed my own techniques of experimentation. These fragments become my memory, my rhythm, my way of documenting the world around me.
Stepping into an airplane and the metallic sounding steps at the age of four is the first thing I remember.
Music and creativity were part of life. My uncles were in a band, deeply immersed in traditional music that, over time, became a classic within its realm.
Those rhythms felt ancient, like something already living inside me and others. As a child, I tried to understand them physically; biting down on objects, feeling vibrations travel through my teeth, my bones, into my inner ear.
It wasn't intellectual. It was visceral. First I learned to create one sound, then two, and eventually entire rhythmic structures built from friction, movement, and intuition. That was my body's first language.
Later came language school, structure, and a growing desire to serve my peers, my community, my city. After serving, another longing emerged: the need to document the world around me.
Over time I shifted toward strict audiovisual representation of society, and in it, the smallest unit: the individual.
My own life and body became the first material I learned from. Photography, videography, and hardware sound design, often using objects from my surroundings, formed the core of my practice.
Throughout this journey I was encouraged by mentors whose guidance shaped me in subtle and profound ways.
Thinking back to Prof. Fuder and Plakat Geschichte, it wasn't just poster history. It was learning to decode the visual language of the streets.
To read the city like a living archive, and to build artefacts of time from what it offered me. It changed how I saw the city. It became a text to read: layered, symbolic, alive.
And "the Fotoguy": a brief encounter, but one that taught me that inspiration can come from the most unexpected people at the most ordinary moments.
Then there was the crew: Sevi, Ange, Kalia, Chrissi, Hyunmin, Caro, Caroline, Kevin, David, Dain, SunMi, Rasha, Danielle, Camilla, Toney Rhodes, Johanna...
We weren't simply studying: we were evolving together, harmonizing our discoveries, building a shared language of curiosity and presence. Their support taught me the value of learning in community.
All these experiences, family, mentors, friends, cities, became the foundation of how I perceive the world.
They taught me to see the city not as buildings and streets, but as a living organism full of stories, textures, and human frequencies.
And this is what my radio represents: the connection between body, mind, and soul within the pulse of urban life.
A constant dialogue between what I feel, what I see, and what I choose to translate into sound and image.
